Sunday, August 24, 2008

The Cable Guy (1996), The Truman Show (1998) mini reviews.


When it comes to critical reaction, one of these films was generally dismissed, the other, unanimously acclaimed. That's why I found myself somewhat surprised when I ended up enjoying them on different levels. (not that I always base my expectations on critical concensus)

"The Cable Guy" is an over-the-top, zany tale which achieved some level of scorn for just how WEIRD it got. It concerns the interactions of a disturbed "cable guy" (Carrey) with his client, the recently dumped Steven (Mathew Broderick). Jim Carrey is a loose cannon in this one, stressing his vocal and physical skills to the limit in dozens of great scenes. I particularly liked his vocalizations of the "Star Trek duel music" as he fought Mathew Broderick in the Medieval themed restaurant. If you can get past the weird, I'm sure you'll be entertained as Carrey boosts himself off Jack Black's back to make a glass-shattering slam-dunk, plays "porno password" with a conservative family, and beats the shit out of Owen Wilson in a washroom. This movie is entirely watchable if you're craving an absurd comedy romp.

"The Truman Show" has a more serious edge to it, and is a better film than "The Cable Guy". However, comparing the two brings to mind the old "apples and oranges" metaphor. Carrey plays the titular role of Truman Burbank, a man who is unknowingly the star of a T.V. show that has spanned his entire life. We see Truman as he realises the true reality and attempts to escape. I find the character of Truman to be much more interesting than the intricacies of his fabricated life, but I have to admit that the choice of filming most of it from the "hidden camera" perspective gives most of the film a certain charm. It's almost impossible not to like this film, seeing as the characters are so sympathetic. How easy it is to pine with Truman after his lost love: an extra on the show who has gone to "Fidgi" for interacting with him.

Altogether two enjoyable films from 2 different corners of the cinematic spectrum. I wonder where "Dumb and Dumber" would fit in?

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